Plague Era Woodcuts Shed Light on Shared Beliefs In Action

– by Patrick Magee, Visitor Services/Gallery Associate

 

Welcome back to another issue of #MedievalMedicineMonday! On Mondays, Visitor Services/Gallery Associate Patrick Magee will be exploring the depths of medieval medicine as depicted by woodcuts found in our early printed books.

This week, we’re going to look at how woodcut creators and the general public made sense of the beginnings of a plague. In Pestbuch, Hieronymus Brunschwig depicted the onset of a pandemic through a series of woodcuts, themselves serving a purpose somewhere between documentation and warning. In the woodcut drawings, Brunschwig depicts a mixture of illness at its worst alongside the continuing lives of everyday folks and doctors/attenders of the sick.

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Faith, Superstition or Insanity?

– by Wood Institute travel grantee Alexandra Prince*

 

If you meet a new acquaintance at a party and one of the first things they share about themselves is their membership in a newly-formed religious group, you are going to assume a few things. You might be polite enough to mask your raised eyebrows with an innocent follow-up question such as, “What is the name of the group?” Or, “What is it that you believe exactly?” But I bet that, behind your polite inquiry, you are likely wondering if they might be crazy, or if they are nuts or have a screw loose or suffer from a mental illness, or any other variety of descriptive phrases or terms we assign to people whose minds we deem not to be “normal.”

My research at the Historical Medical Library at the College of Physicians of Philadelphia in the spring of 2018 concerned the history behind this presumption that members in new religious movements are insane or somehow mentally unsound. Where did this link between religion and pathology emerge? And why are we so quick to assign mental illness to those who espouse divergent religious beliefs? To better understand the pathological frameworks we often use when discussing religion, my dissertation examines how this assumption was historically shaped. To do so, I examined the Library’s collection of archival documents relating to religion and madness during the nineteenth century.

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