“Magic” and Magic: How One Politician Decided to Debunk Witchcraft

– by Shirley Choi, Library Administrative Assistant

 

Provenance note in front flyleaf of book.
“This book is very scarce in an absolutely perfect state, with the marginal notes uncut, and the magical leaves at p. 352…
The rarity of the magical leaves above noted is not generally known.”

 

Decorative paragraph divider with a goat and cherub motif.

 

From its rare leaves, clear marginalia, and (somewhat hilarious) page-turning contents, The Discouerie of Witchcraft by Reginald Scot is a beautiful and unique item in the Library. We own three editions of this work: An original 1584 edition obtained through the Fund for Rare Books in 1916, a 1665 edition (the first reprint since Scot’s death) obtained through the same fund four years later in 1920, and the third is part of our Robert L. Sadoff collection from 1930, and is no. 294 of 1275 copies printed.

 

Photo of leather book cover with title written in gold leaf on spine.

 

The Discouerie of Witchcraft starts with a disparagement of the idea of witchery, which claimed their supposed power– even without any credible witness– was an ignorant insult to God. Reginald Scot questioned their fortitude against “melancholie,” or mental illness, and he believed witchcraft to be superstitions from idolatry. Those who interacted with witchcraft, either the alleged perpetrators or the victims, were dismissed as “erroneous novelties and imaginary conceptions,” and those who trialed the (usually poor, intellectually disabled, and/or old) accused peoples were bad actors who “extort[ed] confessions by terrors and tortures.”

As it directly opposed the monarchy’s belief that witchcraft was real and dangerous, The Discouerie was printed without registry and never reprinted in Scot’s lifetime. In 1597, 13 years after the publishing, Scottish King James I wrote Daemonologie in response, where he sneered at Scot in the introduction–

“so farre as I can, to resolue the doubting harts

of many; both that such assaultes of Sathan are most certainly

practized, & that the instrumentes thereof, merits most severly

to be punished: against the damnable opinions of two principally

in our age, wherof the one called SCOT an Englishman, is not

ashamed in publike print to deny, that ther can be such a thing as

Witch-craft: and so mainteines the old error of the Sadducees,

in denying of spirits.”

 

Decorative paragraph divider with a lion motif.

 

Physician and Chemist Edward Jorden testified during the 1602 trial of Elizabeth Jackson, an elderly neighbor who was accused by teenager Mary Glover of bewitching her. He called her a faker suffering from Passio Hysterica, or hysteria. The judge was not convinced. However, it was convincing enough for the public and several advocates to free Jackson from death (she instead served a prison sentence and spent time in pillories).

The 1600s was a violent time of enlightenment from superstition and beliefs, with emerging skeptics amid feverous witch hunts. King James I ascended to the English throne and reprinted Daemonlogie in 1603, reemphasizing the governing position.

 

Decorative paragraph divider with a vine motif.

 

Scot decided to take a strange turn midway through the 16 books (or sections). He transformed the treatise into an extensive guide of summoning faeries, magic tricks and illusions, with the addition of celestial tables and magic circles. He made generous mentions of Sibylia, the “gentle virgine of fairies,” and insisted upon invoking the names of other faeries like Milia and Achilia to complete spells.

 

Book page with occult symbols.
“This is the waie to go invisible by these three sisters of fairies.”

 

Not just for summoning faeries, Scot instructed us how to play card tricks and other classic magician acts, such as: “How to deliver out foure aces, and to convert them into foure knaves,” he shared. “How to tell one what card he seeth in the bottome, when the same card is shuffled
into the stocke,” and my favorite, “To tell one without confederacie what card he thinketh.”

 

Illustration of a recently decapitated body under a guillotine.
“To cut off ones head, and to laie it in a platter,
which the jugglers call the decollation of John Baptist.” pg 352.

 

The entire e-text of The Discouerie of Witchcraft is freely available on Project Gutenberg. Highly recommended for those who are easily bored or need a faerie spell refresher.

 

Paragraph divider with bird motif.

 

Sources:
“The Reception of Reginald Scot’s Discovery of Witchcraft: Witchcraft, Magic, and Radical Religion,” S. F. Davies
“The Discouerie of Witchcraft,” editor Brinsley Nicholson. 1886 Reprint of 1584 edition, Gutenberg eBook.

Ad nonum sic proceditur

The text on this binding is part of Thomas Aquinas’ Summa Theologiae.  The front cover contains a section of the Third Part [Christ], Question 68 [Of Those Who Receive Baptism], Articles 8 [Whether faith is required on the part of the one baptized] and 9 [Whether children should be baptized].  The back cover contains a section of the Third Part [Christ], Question 72 [Of The Sacrament of Confirmation], Articles 4 [Whether the proper form of this sacrament is: “I sign thee with the sign of the cross,” etc.] and 5 [Whether the sacrament of Confirmation imprints a character].

 

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A Golden Legend

This manuscript dates to circa 14th century, based on the script (a Gothic book-hand), and the composition of the actual text.

The volume was catalogued in our system with the note “Bound in a leaf from a medieval Latin ms. (paragraph marks supplied in alternating red and blue, and capital strokes supplied in red) of a religious text on purgatory; over paper boards.”  Even without the acknowledging the script, a text referring to purgatory gives us a place to start, as the word purgatorium is believed to have first appeared in the 12th century.

 

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“Licet plyrima de apostolicis signis sacra euangeliorum”

It’s hard not to have favorites when working in a special collections setting.  While searching through our incunabula, I found one bound in a manuscript that I had not seen previously.  This particular wrapper has now become one of my favorite items in the collection, and one that I intend to continue researching when time and other duties allow.

 

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“Sanctitui domine benedicente te gloriam”

Remember all the way back in January – the first #MedievalMonday post – when we met Z10 76 (Constantinus Africanus’ Viaticum), and that I mentioned it was the oldest thing in our collection until a few weeks ago?  Well, this week, we will meet the oldest thing in our collection.  It’s a binding.

 

Publicius, Jaime. Regimen sanitatis salernitanum nec non magistri Arnoldi de noui Villa. Venundantur Parrhisiis: In vico sancti Jacobi ab Alexandro Aliatte e regione diui benedicti, [after 1500]. Na 50.
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A new life for old manuscripts

The College holds just 10 medieval manuscripts (or those created before 1500), and we’ve explored many features of ALL of them over the past 10 months.  In the next few weeks, I’ll be showing off some of our incunabula (books printed before 1500) that were bound in manuscript waste.  Yes, not only were ‘old’ manuscripts used as binding support material (see this earlier post), but they were also used as covers.

 

It was common practice for early bookbinders to cut up and use pages from outdated or unwanted manuscripts as binding material.  This practice lasted until the 17th century, when unwanted manuscripts became more difficult to find.

The College holds at least 4 incunabula bound in music manuscripts, and several others bound in text manuscripts.  The next few weeks we’ll be looking at some of them.