“Magic” and Magic: How One Politician Decided to Debunk Witchcraft

– by Shirley Choi, Library Administrative Assistant

 

Provenance note in front flyleaf of book.
“This book is very scarce in an absolutely perfect state, with the marginal notes uncut, and the magical leaves at p. 352…
The rarity of the magical leaves above noted is not generally known.”

 

Decorative paragraph divider with a goat and cherub motif.

 

From its rare leaves, clear marginalia, and (somewhat hilarious) page-turning contents, The Discouerie of Witchcraft by Reginald Scot is a beautiful and unique item in the Library. We own three editions of this work: An original 1584 edition obtained through the Fund for Rare Books in 1916, a 1665 edition (the first reprint since Scot’s death) obtained through the same fund four years later in 1920, and the third is part of our Robert L. Sadoff collection from 1930, and is no. 294 of 1275 copies printed.

 

Photo of leather book cover with title written in gold leaf on spine.

 

The Discouerie of Witchcraft starts with a disparagement of the idea of witchery, which claimed their supposed power– even without any credible witness– was an ignorant insult to God. Reginald Scot questioned their fortitude against “melancholie,” or mental illness, and he believed witchcraft to be superstitions from idolatry. Those who interacted with witchcraft, either the alleged perpetrators or the victims, were dismissed as “erroneous novelties and imaginary conceptions,” and those who trialed the (usually poor, intellectually disabled, and/or old) accused peoples were bad actors who “extort[ed] confessions by terrors and tortures.”

As it directly opposed the monarchy’s belief that witchcraft was real and dangerous, The Discouerie was printed without registry and never reprinted in Scot’s lifetime. In 1597, 13 years after the publishing, Scottish King James I wrote Daemonologie in response, where he sneered at Scot in the introduction–

“so farre as I can, to resolue the doubting harts

of many; both that such assaultes of Sathan are most certainly

practized, & that the instrumentes thereof, merits most severly

to be punished: against the damnable opinions of two principally

in our age, wherof the one called SCOT an Englishman, is not

ashamed in publike print to deny, that ther can be such a thing as

Witch-craft: and so mainteines the old error of the Sadducees,

in denying of spirits.”

 

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Physician and Chemist Edward Jorden testified during the 1602 trial of Elizabeth Jackson, an elderly neighbor who was accused by teenager Mary Glover of bewitching her. He called her a faker suffering from Passio Hysterica, or hysteria. The judge was not convinced. However, it was convincing enough for the public and several advocates to free Jackson from death (she instead served a prison sentence and spent time in pillories).

The 1600s was a violent time of enlightenment from superstition and beliefs, with emerging skeptics amid feverous witch hunts. King James I ascended to the English throne and reprinted Daemonlogie in 1603, reemphasizing the governing position.

 

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Scot decided to take a strange turn midway through the 16 books (or sections). He transformed the treatise into an extensive guide of summoning faeries, magic tricks and illusions, with the addition of celestial tables and magic circles. He made generous mentions of Sibylia, the “gentle virgine of fairies,” and insisted upon invoking the names of other faeries like Milia and Achilia to complete spells.

 

Book page with occult symbols.
“This is the waie to go invisible by these three sisters of fairies.”

 

Not just for summoning faeries, Scot instructed us how to play card tricks and other classic magician acts, such as: “How to deliver out foure aces, and to convert them into foure knaves,” he shared. “How to tell one what card he seeth in the bottome, when the same card is shuffled
into the stocke,” and my favorite, “To tell one without confederacie what card he thinketh.”

 

Illustration of a recently decapitated body under a guillotine.
“To cut off ones head, and to laie it in a platter,
which the jugglers call the decollation of John Baptist.” pg 352.

 

The entire e-text of The Discouerie of Witchcraft is freely available on Project Gutenberg. Highly recommended for those who are easily bored or need a faerie spell refresher.

 

Paragraph divider with bird motif.

 

Sources:
“The Reception of Reginald Scot’s Discovery of Witchcraft: Witchcraft, Magic, and Radical Religion,” S. F. Davies
“The Discouerie of Witchcraft,” editor Brinsley Nicholson. 1886 Reprint of 1584 edition, Gutenberg eBook.

Handiwork of Surgery

– by Damarise Johnson, Visitor Services/Gallery Associate

 

 

Brunschwig, Hieronymus. The Noble Experyence of the Vertuous Handy Warke of Surgeri. Southwarke, London: Petrus Treueris, 1525.

The author, Jerome of Brunswick, was born in 1450 in Strasburg Germany. Brunswick was responsible for writing the first surgery book in English with illustrations. This book was written in the year 1525. It has three sections: Anatomy of the body, Surgery, and Antidotharium, which is based on recipes from plants and minerals. The body section highlights detailed instructions on how to heal fractures, dislocations, wounds, ointments and plasters. Plasters are a kind of sterile bandage or cast, a covering sometimes referred to as dressing the wound. Determining a proper plaster can be very important for a patient’s comfort level.

In this book you will find plasters, powders, oils, herbs and drinks for wounds. People who desire the knowledge of science read this book and better understand the works of noble surgery. Brunswick writes about how it’s best to accept payment only for problems that can be cured as opposed to ones that cannot. He believed doing such a thing maintains a persons good name and reputation, which is especially important for doctors. Brunswick studied under a reputable surgeon, many encouraged him to write a book.

The University Of British Columbia also owns a copy. Its full title is Noble Experience of the Virtuous Handiwork of Surgery.

Atlas of the human body marking the astrological sign that corresponds with each body part.
An anatomical diagram showing astrological signs and the parts of the body they influence.